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© Mara Sanchez Renero |
fototazo has asked a group of 50 curators, gallery owners, blog writers, photographers, academics and others actively engaged with Latin American photography to pick two early career photographers whose work deserves recognition.
This project aims to highlight great work being made in the region today and also to provide a starting point in both English and Spanish for exploring contemporary Latin American photography. LatAm f100 is a collaboration between fototazo and the photographer and educator
Jaime Permuth.
Today we continue the series with selections by
Katrin Eismann. Her biography follows her selections.
The series also includes responses from
Molly Roberts,
Mariela Sancari,
Alonso Castillo and
Paccarik Orue.
fototazo ha invitado a un grupo de 50 curadores, galeristas, escritores, fotógrafos, y académicos - entre otros individuos seriamente comprometidos con la fotografía latinoamericana - a escoger cada quién dos fotógrafos emergentes cuya obra sea merecedora de mayor reconocimiento.
Este proyecto es una manera de celebrar el gran trabajo que se lleva a cabo en la región. Asimismo, busca proporcionar un punto de partida bilingüe en inglés y en español a las audiencias que deseen explorar la fotografía contemporánea en Latinoamérica. LatAm f100 es una colaboración entre fototazo y el fotógrafo y educador Jaime Permuth.
Hoy continuamos la serie con selecciones aportadas por Katrin Eismann. Encontrará su biografía al final del texto.
La serie también incluye contribuciones de Molly Roberts, Mariela Sancari, Alonso Castillo y Paccarik Orue.
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Mara Sanchez Renero whose documentary photographs blur into beautiful and compassionate fine-art environmental portrait work as seen in "The Cimarron and Fandango." Her environmental work is open in regards to exposure and light, but made mysterious with the addition of red cloth, balloons and artifact that ask the viewer to consider the mystery of yesterday's pain.
Mara Sanchez Renero cuyas fotografías documentales se difuminan en el bello y compasivo trabajo artístico de retrato ambiental como se ve en "The Cimarron and Fandango". Su trabajo ambiental es abierto en cuanto a exposición y luz, pero misterioso con la adición de telas rojas, globos y artefactos que le piden al espectador que considere el misterio del dolor del ayer.
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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© Mara Sanchez Renero |
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Roberto G. Fernández Ibáñez works in traditional wet darkroom techniques to create images that address the destructive aggression humans have towards our planet. The images are torn, folded and beautifully layered and draw me in to consider my personal impact on the environment.
Roberto G. Fernández Ibáñez trabaja en las técnicas tradicionales húmedas del cuarto oscuro para crear imágenes que abordan la agresión destructiva que los humanos tienen hacia nuestro planeta. Las imágenes están desgarradas, dobladas y bellamente estratificadas y me atraen para considerar mi impacto personal en el medio ambiente.
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From the series "Otra alquimia" © Roberto Fernández Ibáñez |
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From the series "Otra alquimia" © Roberto Fernández Ibáñez |
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From the series "Otra alquimia" © Roberto Fernández Ibáñez |
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From the series "Otra alquimia" © Roberto Fernández Ibáñez |
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From the series "Otra alquimia" © Roberto Fernández Ibáñez |
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From the series "Ciudades en las que vivimos / Cities we live in" © Roberto Fernández Ibáñez |
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From the series "Ciudades en las que vivimos / Cities we live in" © Roberto Fernández Ibáñez |
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From the series "Ciudades en las que vivimos / Cities we live in" © Roberto Fernández Ibáñez |
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From the series "Ciudades en las que vivimos / Cities we live in" © Roberto Fernández Ibáñez |
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From the series "Ciudades en las que vivimos / Cities we live in" © Roberto Fernández Ibáñez |
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Katrin Eismann is an internationally respected artist, teacher and author and is the founder and chair of the Masters in Digital Photography department at the School of Visual Arts in New York City. She is the co-author of
Photoshop Restoration & Retouching,
Photoshop Masking & Compositing,
The Creative Digital Darkroom and
Real World Digital Photography and her images have been featured in numerous books, magazines, group and solo exhibitions.